Takada, along with Issey Miyake and Hanae Mori, was part of the first wave of Japanese designers in the 1970s to break into the rarefied world of Paris fashion. Known for his innovative approach to cutting garments and exuberant use of colour and pattern, his designs were inspired by a kind of wanderlust, with an eclectic mix of different global styles and cultures. An early adopter of the ready-to-wear business model, Takada was also among the first to reimagine the fashion show as a theatrical spectacular.
Born in Himeji, Japan, in 1940, Takada developed an early interest in fashion through reading his sister’s magazines. At 18, he went to Kobe University to study literature in accordance with his parents’ wishes, but ultimately left for Tokyo’s Bunka Fashion College, where he was one of the first male students to be admitted.
In 1964 he moved to Paris, where traditional couture still dominated the fashion scene. For five years Takada worked as a freelance “styliste”, selling sketches to couture houses, and opening his first boutique, Jungle Jap, at Galerie Vivienne in 1970. The space was decorated with flamboyant murals in the style of Henri Rousseau. His early designs, with their combination of riotous print and traditional Japanese silhouettes, proved revolutionary.
The collection was presented in New York in 1971. That year, his designs featured in US Vogue, which declared Takada’s quirky boutique – with its smock tent dresses and dizzying prints – among the chicest shopping destinations in the French capital.
His unique aesthetic was a hit with the fashion press and the era’s most dynamic young things. Fans included Grace Jones, Loulou de la Falaise and Jerry Hall. “Kenzo must be one of the most imaginative designers in the world and fortunately he doesn't take himself too seriously,” wrote journalist Bernadine Morris in 1973.
Takada went on to build a global brand that encompassed womenswear, menswear, two sportswear lines and a highly successful fragrance business. In 1993 the Kenzo businesses were acquired by LVMH for $80.5million (£62million).
After his retirement in 1999, Takada didn’t stop creating. Projects included Gokan Kobo, a high-end home accessories brand, and in 2016 Avon announced a new partnership with Takada to create a line of fragrances. The Kenzo Takada Collection, a collaboration with the French design house Roche Bobois, was unveiled in the summer of 2017. Takada became president of the Asian Couture Foundation in 2013, and he was honoured with the lifetime achievement award at the 2017 Fashion Editors’ Club of Japan Awards. He also continued to support the brand he founded – he attended the Kenzo autumn/winter 2020 show in Paris in February.
"I’m a little bit nostalgic about fashion shows and the energy behind them,” Takada told a journalist in one of the last interviews he did in 2017. “What I miss most is the people working in fashion. They have a lot of fantasy; they’re really creative and joyous.” It is exactly how he will be remembered.
His unique aesthetic was a hit with the fashion press and the era’s most dynamic young things. Fans included Grace Jones, Loulou de la Falaise and Jerry Hall. “Kenzo must be one of the most imaginative designers in the world and fortunately he doesn't take himself too seriously,” wrote journalist Bernadine Morris in 1973.
Takada went on to build a global brand that encompassed womenswear, menswear, two sportswear lines and a highly successful fragrance business. In 1993 the Kenzo businesses were acquired by LVMH for $80.5million (£62million).
After his retirement in 1999, Takada didn’t stop creating. Projects included Gokan Kobo, a high-end home accessories brand, and in 2016 Avon announced a new partnership with Takada to create a line of fragrances. The Kenzo Takada Collection, a collaboration with the French design house Roche Bobois, was unveiled in the summer of 2017. Takada became president of the Asian Couture Foundation in 2013, and he was honoured with the lifetime achievement award at the 2017 Fashion Editors’ Club of Japan Awards. He also continued to support the brand he founded – he attended the Kenzo autumn/winter 2020 show in Paris in February.
"I’m a little bit nostalgic about fashion shows and the energy behind them,” Takada told a journalist in one of the last interviews he did in 2017. “What I miss most is the people working in fashion. They have a lot of fantasy; they’re really creative and joyous.” It is exactly how he will be remembered.
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