"I'm obsessed with him, I'm obsessed with his clothes, I'm obsessed with what he does,” Elton tells Vogue fashion critic Anders Christian Madsen of the friendship that was conceived almost immediately after Alessandro’s debut Gucci show in January 2015. The two were photographed for Vogue at Woodside, the Windsor home of Elton and his husband David Furnish. “For me, the only person that was like that in my life before was Gianni [Versace], and when Gianni died, a part of me died. He saw everything, he loved everything, he channelled everything. Nothing was off limits with him. Alessandro is the first thing that's happened in my life since Gianni died that I can really identify with.”
The admiration is mutual. Alessandro grew up listening to Elton John's music and marvelling at his audacious costumes. “There’s one thing about Elton, which I always repeat: with all his flamboyant looks in the 1970s, he was so masculine,” he tells Vogue, of what cemented Elton as a firm fixture on the designer's moodboards. “He was always so natural and he didn't lose any of himself.”
As the appreciation of one another’s work comes full circle in a Gucci-fication of Elton's tour (complete with oversized glasses and the ringmaster suits) prepare for a sequin-strewn overload of what the "creative twins" do best. "I've always been fearless, and that's why I love Alessandro,” Elton adds. “He doesn't give a fuck what people think. He doesn't give a fuck at all.”
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