Those starring roles were supported by Julia Garner, Bart Freundlich, Rande Gerber, Ansel Elgort, Liberty Ross, Liev Schreiber, Ciara and Suki Waterhouse in the powdery-pink venue of the Park Avenue Armory.
With David Bowie's Fame as the soundtrack, the pre-show furore that saw Crawford and Christensen posing for pictures in sequined dresses, Khan fluttering her personalised fan and Kardashian West looking statuesque in her PVC dress and wet-look hair almost emulated one of Ford’s film sets. That dusty, flattering pink light a nod to Moore’s Sixties home as Charley in A Single Man and the flawless black dresses of Kardashian West and co reminiscent of Amy Adams’s ultra-slick wardrobe as gallery owner Susan Morrow in Nocturnal Animals.
With David Bowie's Fame as the soundtrack, the pre-show furore that saw Crawford and Christensen posing for pictures in sequined dresses, Khan fluttering her personalised fan and Kardashian West looking statuesque in her PVC dress and wet-look hair almost emulated one of Ford’s film sets. That dusty, flattering pink light a nod to Moore’s Sixties home as Charley in A Single Man and the flawless black dresses of Kardashian West and co reminiscent of Amy Adams’s ultra-slick wardrobe as gallery owner Susan Morrow in Nocturnal Animals.
The collection, as Vogue fashion critic Anders Christian Madsen wrote, might have been a tribute to the Nineties, but the front row was a celebration of Ford’s ability to bring fashion, film and his fabulous muses together in harmony.
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