Designed in Paris and produced in Italy, the line has long been in the pipeline to complement the brand’s growing accessories line. It launched footwear in 2017 and handbags in 2013.
The collection has roots in the wardrobe of brand founder, Joseph Ettedgui, whose signature style was defined, in part, by his round spectacles. “Together with an immaculate handmade suit and cigarillo, the late Joseph founder was never pictured without his circular glasses,” creative director Louise Trotter told Vogue of the starting point for the project.
“Taking this idea of the iconic – using legendary styles likes the circular, aviator and oversized – we have created future classics that you will still want to wear in years to come,” she continued. “We played with androgynous proportions, enlarging or shrinking details, and highly contrasting colours and patterns to lend an individuality to the acetate eyewear.”
On why the April 23 launch felt right for the brand, Trotter added: “My process is very much about exploring small nuances – moving a seam, deepening a pocket, shortening a vent – once I have a clear purpose or person in mind, so everything has to evolve organically. This approach is very similar to the highly technical world of eyewear design, where a small adjustment to proportion or shape can alter the face completely.”
Each set of Joe, Westbourne, Germain and Madison frames, which, she says, “have only sealed her obsession with details”, is branded with subtle, colour-dipped tips. But, despite Trotter's emphasis that they are like the precious “classics that you constantly search for but rarely find,” the sunglasses sit at the lower tier of the brand’s price points. Get your Joes this spring for £185 by registering here.
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