Thursday, January 9, 2020

Chanel Metiers D´Art Returns To Paris

For its 2020 collection, Chanel returned its Métiers D'Art show, which showcases and celebrates the handiwork of the house's ateliers to Paris, after traveling internationally the past two years (to Karl Lagerfeld's native Hamburg in 2017, and to the Met's Temple of Dendur in New York in 2018).


This is the first designed by Virginie Viard, having taken over the house after Lagerfeld's passing in February. The event was originally scheduled for December 5th but was moved up a day because of a national strike on Thursday. Chanel returned to the Grand Palais, its favorite venue in its home base.

Wednesday, January 8, 2020

The Men’s Jewellery Trend We’re Planning On Copying In 2020

At this time of year, in addition to the resolutions and intentions, the winds of change blow in a flurry of fashion forecasts for the seasons ahead. Some are discarded by the end of January, while others stick. In the world of jewellery, 2020 will see fine jewellery for men become one that sticks.

Over the course of the last century fine jewels haven’t been culturally associated with men, but that’s changing fast. Jewellery is transitioning, and new styles won’t be gender specific. Boys are reclaiming the role of the Regency dandy, exploring jewels to add character and reflect their personality. In particular, fine jewellery brooches, pins and clips will be a major trend, fastened to more and more lapels and collars.

The first rumblings of this trend were felt at couture week in Paris, where Boucheron introduced its white diamond Polar Bear brooch for men, in addition to the Jack Box collection of 26 gold pins to be worn individually or, for the man keen to make a statement, all at once.


This was closely followed by New York designer Ana Khouri’s show at Phillips Auction House, where men were styled in emerald cuff earrings. In the past, men have often focused on jewellery featuring traditionally ‘manly’ motifs like weapons, military insignia or skulls, but now they are investing in precious stones and beauty. Like the inverted black diamond double finger rings created by Brazilian designer Ara Vartanian, whose male clients ask for their birthstones to be included, Nikos Koulis’s diamond and emerald pins, Messika’s Move Titanium diamond bracelets, or Shaun Leane’s charming yellow gold beetle brooch.

“After a long period of men being afraid to express their personality through jewels, they are becoming more experimental,” says Leane, approvingly. “When we look back at Elizabethan times, men were just as adorned as the women were, as [jewellery] symbolised fashion, status and innovation.” Increasingly, Leane receives design commissions for bespoke gemstone brooches from men eager to accumulate conversation pieces.

“A brooch is an artful form of self-expression,” agrees Colette Neyrey, designer of the new Maison Coco blackened jewels adorned with diamond studded subversive messages that are being snapped up by both sexes at Dover Street Market. “So, when I see a man wearing a brooch, I know that he’s a very confident man... [he] certainly [knows] exactly what he wants, and there’s nothing sexier.”
Heting cicada lapel pin.

The trend was confirmed at Dolce & Gabbana’s Alta Sartoria show, where male models walked the runway adorned with brooches, ropes of pearls and gold linked crosses. The star pieces were a series of exquisite brooches secured on cravats, scarves and ties with Victorian-style gold chains, inspired by Caravaggio’s 16th century painting Basket of Fruit, which hangs in Milan’s Biblioteca Ambrosiana. The naturalistic depictions of the fruit in the painting came to life in elaborate gemstone and enamel mixes used to conjure ripe figs, pomegranates and grapes.


Ironically, Caravaggio painted the fruit to express the ephemeral nature of earthly things, while Domenico Dolce and Stefano Gabbana’s succulent brooches have been created as heirlooms to be passed down through the generations.

“Confidence is part of the current mood in menswear, so it makes total sense adding a pin to adorn the look,” says German designer Julia Muggenberg, who hangs Tahitian pearls and hard stones from gold brooches. “The pin has a reference to classical power dressing for the male, and by introducing colour in the form of a gemstone, they highlight fabric and draw attention to textures.”

Is there a danger of the girls being outshone? As in the natural world, where the peahen appears rather drab in comparison to her male counterpart, the peacock? Fortunately not, as these pieces suit all sexes. I’d happily wear Vogue fashion critic Anders Christian Madsen’s pearl choker, rings and bracelets, and he covets my diamond and gold Elie Top ring. Top’s Sirius collection features minimalist distressed silver and yellow gold cases on necklaces and rings that are ideal for daywear, but can roll back to reveal a hidden sapphire or emerald for serious sparkle when the occasion demands. He creates collections that are androgynous and timeless, that could have been created in the time of Charlemagne and yet are somehow futuristic. Women have long borrowed their boyfriends’ shirts, now they’ll be after their jewellery, too. This trend will make peacocks of us all.

Nicholas Hoult, Alice Pagani Front Emporio Armani Scent Masterbrand

Take Two: Actors Nicholas Hoult and Alice Pagani are the new faces of Emporio Armani fragrances, fronting the scents Stronger With You Freeze for him and In Love With You Freeze for her.

The perfumes are part of a franchise begun in 2017 with the launch of the Stronger With You and Because It’s You iterations. Stronger With You last year almost reached the top-10 of men’s fragrances in Europe, according to an Armani spokesman at L’Oréal, the brand’s perfume and beauty license.  Hoult is a British actor who has featured in the “X-Men” movies and “The Favourite.” His upcoming film projects include Taylor Sheridan’s “Those Who Wish Me Dead” and Hulu’s series “The Great.”


Pagani is an Italian actress who stars in the Netflix series “Baby” and features in the movie “Loro.” Last year, she also appeared with John Travolta and Morgan Freeman in “The Poison Rose.” Fabien Constant directed and Damon Baker lensed the scents’ Together Stronger campaign, which is set to the soundtrack “Powerful,” by Major Lazer, featuring Ellie Goulding and Tarrus Riley.

The new ad, meant to channel the power of love, is to go live on Emporio Armani’s social media platforms starting Jan. 7th and appear in other media beginning Feb. 1st, when the scents launch everywhere but Italy. There, they hit counters this week.

Why The Christian Louboutin Exhibition In Paris Is A Must-See

The designer’s inspirations and his creative process are key themes of the exhibition dedicated to Christian Louboutin, opening on February 25, 2020, in the heart of the Palais de la Porte Dorée… We’re already counting down the days.

Audacious, inspired, and open-minded are all fitting adjectives for Christian Louboutin’s accomplished career… Remarkably, the Parisian shoe designer has been creating sketches of his designs since he was 12 years old, the first of which was inspired by the architectural beauty of the Palais de la Porte Dorée. On February 25, 2020, in the very same place that inspired the young designer, an exhibition will open honoring the designer’s career and his larger-than-life imagination.


Following a path dreamed up by Olivier Gabet, curator of the exhibition and director of the Museum of Decorative Arts, visitors are invited to discover the inspirations behind the designer to whom we owe the iconic red sole. “Where ever I go, there is always a garden to see, or a museum, a church, a concert, some element of architectural design. The main tool I use to stay inspired is open-mindedness, I try to go where others won’t.” What to expect? A showcase of the designer’s most prized shoes, some from his personal collection, and a look at exclusive collaborations, some of which have never been shown before. 

As a testament to Christian Louboutin’s dedication to craftsmanship, some of the pieces reveal exclusive stained glass creations by the Maison du Vitrail, silver Sevillian palanquin, and a cabaret carved in Bhutan. In addition, the exhibit will feature original collaborative projects between the designer and some of his favorite artists. These collaborations include projects with director and photographer David Lynch, the New Zealand multimedia artist Lisa Reihana, the English designer duo Whitaker Malem, the Spanish choreographer Blanca Li, the Pakistani artist Imran Qureshi, and a host of others…In short, this exhibition marks a new sense of excitement for the Palais de la Porte Dorée, it’s not to be missed under any circumstances… Stay tuned.

Rami Malek Is Saint Laurent´s Newest A-List Campaign Star

Rami Malek is the latest addition to Saint Laurent’s cool-kid lineup of campaign stars. The award-winning actor follows Keanu Reeves, Travis Scott, and Zoë Kravitz as the face of the French fashion house. In the Spring/Summer 2020 men's campaign, the Mr. Robot actor dons Saint Laurent skinny-fit staples including tailored jackets and pants with metallic details. Again working with photographer David Sims to bring his vision to life, Anthony Vaccarello's predominantly black-and-white campaign channels the same effortless energy as its predecessors.

Following Malek's performance as Freddie Mercury in Bohemian Rhapsody, the actor channels another musical titan in Sergeant Pepper-esque jackets reminiscent of The Beatles' "Lonely Hearts Club Band" uniforms. Music icons are a familiar influence in Vaccarello's collections, as The Rolling Stones' rock 'n' roll style was also referenced in the Saint Laurent Spring/Summer 2020 men's collection.


The actor, who plays the new Bond villain in the upcoming movie No Time to Die, also signifies Vaccarello's turn towards Hollywood. In addition to tapping of-the-moment actors for campaigns, the creative director took the last men's runway show to Malibu and has continued building on the polished legacy of the LA-based era of Hedi Slimane's Saint Laurent.

Gucci To Support ‘Alternative’ Exhibition In Seoul

Gucci is launching a new project to support the cultural and art scene in Seoul. Called “No Space, Just a Place,” it is to run March 12 to June 15 at the Daelim Museum. Curated by Myriam Ben Salah, the exhibition stems from Gucci creative director Alessandro Michele’s musings on society and heterotopy, a combination of the Greek words “etero,” meaning different or other, and “topos,” meaning space. In this context, it posits the idea of an “other space” for thoughts, an alternative place where it’s possible to think about radical ideas, in contrast with dominant narratives. In line with Michele’s exploration of the relationship between genres and gender and self-expression, the exhibition reflects these alternative spaces, where a different, desirable future can be conceived.

“Independent and alternative spaces in art are historically underground venues that populate storefronts, lofts, warehouses and other places abandoned by the mainstream. They confront the neutrality of the commercial gallery’s ‘white box’ by promoting work that is often politically engaged, experimental and more concerned with artistic debates than commercial viability,” Gucci said in a statement. “Since the spontaneous appearance of these initiatives in the late 1990s in Seoul, a growing number of projects have engaged in the practice of critically questioning the art ecosystem. [The exhibition thus] aims to give visibility to these radical venues and to explore their ‘alternativeness’ as a conceptual tool through which to think about autonomy, defy authority and foresee new narratives for the future.”


A selection of independent art spaces has been invited to exhibit at the Daelim Museum across its three floors. “Every project will be thematically tied to the idea of the alternative spaces as a utopian place in which to set new empowering narratives, dwelling on the understanding of otherness, the exploration of minoritarian identities and queer politics,” continued Gucci. The curator asked a selection of local and international artists to exhibit their works in immersive installations inspired by the near future or by fantastic mythologies.

“Using strong visual imagery, imbued with humor and magical realism, the artists playfully question the narrow perspectives of our society’s dominant discourses in a way that perfectly chimes with Gucci’s singular, eclectic, contemporary vision,” according to the Italian brand.

Monday, January 6, 2020

Renée Zellweger Set Armani A Very Specific Task For The Golden Globes

Renée Zellweger, Giorgio Armani and celebrity super-stylist Petra Flannery began plotting the Judy star’s Golden Globes 2020 dress in the autumn. “We embarked on a journey to find just the right shade of blue,” Flannery tells British Vogue. Fast forward to 5 January, and Zellweger, a vision on the red carpet wearing an Armani Privé blue silk cady bustier gown with crystal-embroidered piping, proved that their meticulous journey through the Pantone books was worth it.


“Armani exemplifies Hollywood glamour, yet always adopts a modern approach to dressing,” Flannery says of her client’s choice to work with the Italian house. “The shapes are often sleek and statuesque. This dress in particular exudes these qualities with its column silhouette and half moon curvature at the top. The polished and graceful details mirror Renée’s style.”

Zellweger, who “loves a statement piece when it comes to jewellery”, was particularly taken with the finite precision of the crystal trim on the gown. “It’s truly magnificent,” smiles Flannery. Together, they selected a David Webb yellow gold and diamond bracelet for “the perfect touch of shine to complement it”. One can imagine Judy Garland, the character for whom Zellweger received the Best Actress award, would also approve of these decadent embellishments.