Vanessa Friedman, fashion director and chief fashion critic of the New York Times, posted the label’s ask of attendees on Twitter (now X): “The Row looks forward to having you at the Winter 2024 Collection Presentation on Wednesday, February 28th at 12pm. We kindly ask that you refrain from capturing or sharing any content during your experience.” The disappointment was palpable, from fans and guests alike. “Oh. Ok,” Friedman added.
Nobody wants to be the person glued to their phone for an entire show, but capturing content straight from the runway has practical benefits. It can help buyers and editors identify which pieces they want to order for stores or shoots (the brand circumvented this gripe by giving guests notepads and pens to write their show notes), and videos capture how garments move in ways that photos cannot. But let’s be honest, another reason people take photos and videos is for the clout. Securing a seat at any show, especially for a particularly buzzy brand like The Row, is an exciting moment in any fashion fanatic’s life. When you get one, you want people to know about it.
Sure, anyone with the money can buy a Margaux bag. But scoring an invite to the show opens up a whole new level of exclusivity. In making that experience even more restrictive, they’ve managed to create the ultimate stealth wealth experience. The message is clear: if you’re going to The Row’s show, you shouldn’t seek validation by telling everyone about it. The knowledge that you were there should be enough.
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