But now we know what Lee was up to: curating a “digital journal” of interactive stills, film and audio, set to be released quarterly to coincide with seasonal collections hitting stores. Issue will provide the Italian brand’s online presence going forward, a move Lee told the Guardian he hopes will offer a “more progressive and more thoughtful” virtual offering. “Social media represents the homogenisation of culture,” he said.
Flying under the radar has worked for Lee thus far. He swerved the Paris Fashion Week schedule last autumn and instead held an exclusive preview of his spring/summer 2021 collection for a small, select audience (British Vogue editor-in-chief Edward Enninful was joined by the likes of Salma Hayek, Neneh Cherry, Kanye West and Skepta at the Salon 1 showcase). The rest of the world had to wait until early December to see the catwalk imagery.
The content is a suitably chic and eclectic mix: Missy Elliott stars in a rebooted music video for her 1999 track “Hot Boyz”, lensed by Derek Blanks. There’s also a lilac icing-adorned reimagining of BV’s woven mules by Tyler Mitchell, and wobbling jelly versions of the Tyre boots and the Point bag from Alex Paganelli, otherwise known as Dead Hungry.
Remember Oumi Janta, the Berlin-based rollerskater whose joyous Instagram clips had us all yearning for four wheels on each foot? She also makes a cameo; swirling across a dancefloor wearing disco-ready Bottega dresses.
A little like Phoebe Philo-era “Old Céline”, traces of Bottega Veneta’s former Instagram life will now appear only on appreciation accounts like @newbottega, something Lee has said he is happy about, even though his many fans will no doubt feel the loss.
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