Dario Vitale To Exit Versace

Prada Group officially acquired Versace on Tuesday in a $1.25 billion deal. It’s a new beginning for Versace, but curtains for creative director Dario Vitale, who made a powerful and much talked-about debut show in September – his first and last for the house. He will exit the brand on 12 December.

“We would like to sincerely thank Dario for his outstanding contribution to the development of the brand’s creative strategy during this transition period, and we wish him all the very best in his future endeavours,” the brand said in a statement.

There’s been much speculation around Vitale’s potential departure. Vitale was hired in March shortly before the Prada Group sale was announced in April, replacing Donatella Versace as the first non-family member to helm the brand. The Neapolitan designer, formerly design director at Prada Group-owned Miu Miu, left the brand after more than 14 years to take the Versace posting, placing a question mark over the designer’s future under Prada Group ownership. Even without this context, it’s commonplace for new owners to prompt a creative reshuffle at luxury brands.

Then there’s Donatella Versace, who was crucial to Versace’s sustained cultural gravitas, even as sales faltered over recent years, and remains a global ambassador for the house. When the Prada sale was announced in April, she celebrated with a post on Instagram and pledged her support. “I am honoured to have the brand in the hands of such a trusted Italian family business and I am ready to support this new era for the brand in any way that I can,” she wrote. Donatella didn’t attend Vitale’s spring/summer 2026 show, which was a late addition to the calendar.

Despite the above, many will be surprised by Prada Group’s move. Vitale’s first outing was one of the most celebrated debut shows of the SS26 season, perhaps only overshadowed on the final day of Paris Fashion Week by Matthieu Blazy’s Chanel.

The next designer to take the role will now steer the brand’s turnaround. Versace’s previous owner, Capri Holdings, had aligned the label with premium players, diluting its luxury positioning. Under Vitale’s vision, Versace was re-positioned firmly in the luxury category, which analysts had advised was the way forward for the label, with pieces ranging from €900 for belts to over €26,000 for special gowns, based on early insights from a Moda Operandi trunk show. While one collection can’t save a brand, there was momentum behind Vitale’s vision and elevated positioning.
With new ownership, new executive leadership and a yet-to-be-announced new creative director, Versace is undergoing its most significant transformation since the death of founder Gianni Versace in 1997. Versace said in its statement that the next creative director will be announced “in due course”, with the creative team operating under CEO Emmanuel Gintzburger.

Stella McCartney Just Teased Her New H&M Collaboration At The Fashion Awards

If, for whatever reason, you were hoping to visit the V&A East Storehouse to inspect a certain blue silk jumpsuit from Stella McCartney’s 2005 collaboration with H&M, you’d find it’s been reserved for an undisclosed amount of time by an undisclosed enthusiast. And if, for whatever reason, you also happened to be following the red-carpet arrivals at tonight’s Fashion Awards, the reason behind its unavailability might begin to make sense: Stella McCartney and H&M are working on a second co-designed collection, built on the British designer’s prodigious archive, and set to arrive in spring.

Though specific details remain locked behind the kind of NDA only a multi-billion-firm can commission, a glimpse of what’s to come was truffled out on the likes of Emily Ratajkowski, Bel Priestley, Amelia Gray and Anitta in the grand concord of the Royal Albert Hall. Talk about a reveal: I’m only disappointed there was no musical-chairs segment, as there was when H&M unveiled its original collection with McCartney at St Olave’s School in south London, which precipitated a rare Gwyneth Paltrow gush. “I really liked the whole collection,” she told British Vogue. “You must write that. I want Stella to read it.”

As for what can actually be revealed? “Prints, sparkles, lace,” says Ann-Sofie Johansson, H&M’s head of womenswear. “The red-carpet looks are a teaser and within them are various little archive details that fashion fans will for sure spot.” Such as: the lace-trimmed camisoles of her autumn/winter 1999 collection for Chloé, vest straps interlinked with the chains of her 2009 Falabella It-bag, the sequined party numbers of her spring/summer 2005 collection, and the python prints of her Resort 2014 proposal. “We wanted to make sure we captured the Stella attitude,” Johansson continues. “The feminine strength, the insouciance. From her pioneering work at Chloé in the ’90s, when she brought a cool London energy to Paris, to her rule-breaking designs under her own label in the ’00s.”

You can trace the story even further back to McCartney’s apprenticeship with Edward Sexton, the Savile Row tailor who made her father Paul McCartney’s suits. “It was that experience which shaped my eye for cut and precision in design,” says McCartney. “Bringing that heritage into this collaboration is deeply personal. Reworking all these pieces with H&M genuinely feels like returning to my roots. It’s brought back so much energy and joy to revisit it all.” But everything, for McCartney, always comes back to “craft with conscience”. Ie, the belief that desirable fashion can still be kind to the planet. “Even the recycled rhinestones reflect the world I’m fighting for – beautiful, responsible, and forward-thinking.”

H&M is welcoming these conversations. “There are really two key aspects to explain here,” says Johansson. “One relates to the collection, which features certified, responsible materials, many of them recycled. The other, equally important, is the launch of a brand-new Insights Board, which will bring together voices from across fashion to create a space for meaningful discussion.” She explains that this new group has been designed to challenge H&M’s and the industry’s processes – from supply chain practices to material innovation – which are endemic to the industry at large. “Both Stella and all of us at H&M are aligned in the belief that true change can only happen when the industry works collectively.” McCartney hopes the initiative will serve as an inflection point in how the sector approaches sustainability. “This second partnership feels like a chance to reflect on how far we’ve come in sustainability, cruelty-free practices and conscious design – and to stay honest about how far we still have to go. Real change only happens when we push from both the outside and the inside, and I’ve always believed in infiltrating from within to move the industry forward.”