Separated into three sections, the exhibition – which is sponsored by Mulberry – will house 300 bags for nine months. The first section will focus on function, with an in depth look at how handbags hold our everyday belongings. The second will examine status and identity, delving into how celebrity culture has driven luxury sales and endorsement, including the Hermès “Kelly” named in honour of Grace Kelly, the “I am NOT a Plastic Bag” tote by Anya Hindmarch, and the sort of structured bags associated with the wardrobe of Margaret Thatcher. From sketch to sample, sewing to point of sale, the final section will explore the making of the accessory, taking a closer look at the reinvention of Prada’s nylon bag by Japanese architect Kazuyo Sejima, and the “International Woman” suitcase by Tracey Emin for Longchamp.
From a lavish 16th century burse made for royalty to the everyday tote bag, this exhibition offers an understanding and insight into the function, status, design and making of bags across the world and throughout history,” said Lucia Savi, the exhibition’s curator. From a gas mask bag owned by HRH Queen Mary during the Second World War to Winston Churchill’s red despatch box and Vivien Leigh’s attaché case, the 300 objects are completely diverse in design. “These portable yet functional accessories have long fascinated men and women with their dual nature that combines private and public. By exploring their continuing importance in our lives and as part of the history of design the exhibition highlights the V&A’s mission to illuminate the past and inspire designers of the future.”
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