Toledano cited multiple reasons for the decision, including: the designer's process ("You cannot ask them to finish the collection and freeze it to show in four months' time"); the trouble of buyers and press viewing collections under embargo and images leaking ("Instead of us controlling our image, our image would be in the hands of pirates"); the complicated supply chain ("It takes several weeks to produce fabrics. It takes some weeks to sew and embellish the garments"); the importance of delayed gratification in the luxury arena ("Desire and dreams are part of the buying process"); and the fact that the French fashion industry is thriving as it is.
Currently, the brands that have agreed to maintain showing spring/summer in October and autumn/winter in March are Dior, Chanel, Chloé, Hermes, Nina Ricci, Agnes B, Issey Miyake, Isabel Marant, Balenciaga, Lanvin, Sonia Rykiel, Dries Van Noten, Leonard, Paul Smith, Maison Margiela and Kenzo.
Toledano did, however, acknowledge that for smaller "lifestyle" and "marketing-driven" brands for whom product is not the sole focus, consumer-facing, in-season shows are a useful promotional tool, although asserted that these aren't brands that show on the PFW schedule anyway, due to its strict selection process which centres on "creativity, craftsmanship and innovation", according to WWD.
Instead, Toledano blamed the current elongated sale periods, calling them "detrimental" to the seasonal supply chain, and revealed the board's intention to curtail the lengthy pre-collections season to a week at most, to reduce the impact it has (as well as the attention it deflects) from the ready-to-wear shows.
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