Dolce & Gabbana |
"Amore!" "Love!" said Domenico backstage, as he fixed a barely-there skinny stretch of a black dress, and arranged another more romantic design smothered in carnations.
"Heart!" said Stefano, offering his word for a collection where sacred hearts were worn on the breast and in clusters across short dresses. Even more Spanish in spirit were ruffled polka-dot dresses with the D&G signature black brassiere on top.
The Spanish Influence For This Season |
But this show was no costume party. Even denim had a place: jeans encrusted with sparkle, but with a more sensual and modern cut than you would find on a rhinestone cowboy.
The game was one of memories of the past melding with the present: black widows with chiffon-covered hair but also with blood-red lacy, racy miniskirts. Or a noble operatic cape in scarlet brocade, like curtains at La Scala, were set against a skinny black pantsuit with a frilly white shirt.
The clothes themselves matter on the runway of course - especially to buyers - but a powerful show also has to be about atmosphere. It must be instantly identifiable as a brand offering. And who would not immediately recognise as D&G the bold patterns, the shapely bodysuits and intense decoration.
Just in case one of those black, sporty workout garments looked too plain, it was set off with a symbolic Spanish carnation in the hair and a transparent handbag in which stood a Dolce doll.
So it was "ole" to the D&G duo and "arrivederci" to Milan.
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